Recent Notable Events Include: 

· Electroacoustic Music Festival (George Brunner)

 · Reconstructing (The TEAM) 

· Presidential Lecture Series (Michelle Anderson)

· Fighting Oligarchy Town Hall (Bernie Sanders & Zohran Mamdani)

• Led audio production for diverse live events including orchestral performances, theatrical productions, lectures, and large-scale campus programs

• Engineered front-of-house and monitor mixes using digital consoles across multiple venues, ensuring clear and balanced sound for performers and audiences

• Diagnosed and resolved real-time audio issues during rehearsals and live events, maintaining professional-quality sound under pressure

• Supported full event production workflow, including load-ins, tech rehearsals, and strikes

Recent Notable Productions Include:

· The Thin Place, directed by Elizabeth Bennett

· Indecent, directed by Sam Plattus

· Marcus; or the Secret of Sweet, directed by Irvin Mason Jr.

· The Revolutionists, directed by Colleen Morgan

• Led and mentored student running crew members in hands-on backstage production, fostering technical skills and confidence

• Supervised scene changes, prop tracking, and basic lighting and sound operations during rehearsals and performances

• Reinforced professional standards in safety, timing, communication, and teamwork in a live theater environment

• Bridged classroom learning with real-world production practices, providing individualized guidance and problem-solving support

At David Geffen Hall - Lincoln Center

• Organized and directed talent and student performers, ensuring they were prepared and in the correct positions for their appearances.

• Coordinated closely with a union crew, gaining experience in working within union guidelines and protocols.

• Supervised the timing and execution of ceremonial elements such as the procession, speeches, performances, and diploma presentations.

• Contributed to detailed records of the event, including stage plots and run sheets.

At The Juilliard School

• Developed and maintained a detailed calling script, including all cues for lighting, sound, and stage transitions.

• Maintained up-to-date documentation of all technical specifications and requirements for each dance piece.

• Facilitated seamless communication between choreographers, dancers, and technical crew to ensure all performance needs were met.

• Collaborated with lighting and sound designers to create and adjust cue sheets in alignment with each choreographer's vision.

• Provided comprehensive post-performance reports to the production team, highlighting successes and areas for improvement.

At The Juilliard School

• Organized and directed dancers, ensuring they were prepared and in the correct positions for their performances.

• Monitored and facilitated smooth transitions between dance pieces, coordinating with stagehands and crew members.

• Assisted in troubleshooting and resolving any backstage issues or emergencies that arose during the concert.

• Acted as a liaison between the dancers and the technical crew, ensuring clear and effective communication.

• Helped maintain a clean and safe backstage environment, adhering to all safety protocols and procedures.

Composed by John Luther Adams, Directed by Nadia Sirota & Douglas Perkins

• Orchestrated the load-in and load-out of 25+ percussion instruments for "Crossing Open Ground," a musical piece performed outdoors at Lincoln Center.

• Coordinated the transportation of percussion instruments from The Juilliard School to Lincoln Center for multiple tech and dress rehearsals, ensuring timely and secure delivery.

• Managed and coordinated a team of 40 musicians and 7 dancers, ensuring seamless collaboration and performance synchronization.

• Strategically determined placement locations across Lincoln Center's 16-acre campus for the percussion instruments, optimizing audience experience and spatial dynamics.

• Collaborated closely with production teams and venue staff to facilitate smooth logistics and operations throughout the performance period.

Directed by Jasminn Johnson & Alexander Shaw

• Supervised a diverse cast of 15+ actors throughout an intensive rehearsal period spanning 8 weeks, totaling over 100 hours.

• Coordinated closely with playwrights, directors, and production teams to ensure the seamless execution of 36 dynamic scenes sourced from various plays and movies.

• Facilitated clear communication between the cast, directors, and creative team regarding script changes, ensuring smooth incorporation into the production.

• Collaborated with the sound coordinator to source and program Qlab files, ensuring precise execution of sound cues and seamless integration with the overall production.

• Maintained detailed records, including comprehensive prop lists, scene breakdowns, and shift plots, optimizing backstage operations for each performance.

• Ensured the seamless execution of 36 scenes, showcasing the versatility and depth of talent at The Juilliard School.

Composed by Adam Glaser

• Orchestrated the production of the Juilliard Pre-College Symphony concert, overseeing all aspects of stage management from dress rehearsals to the final performance.

• Collaborated closely with the orchestra conductor, faculty members, and production team to ensure the seamless execution of the concert program and adherence to the artistic vision.

• Maintained detailed records, including rehearsal/performance reports, seating arrangements, and stage plots, to facilitate efficient backstage operations and smooth transitions during the performance.

• Fostered a collaborative and supportive environment for the orchestra members, contributing to their growth and development as young musicians.

Composed by Francesco Cavalli, Directed by Lisenka Heijboer Castañón, and conducted by Avi Stein

• Collaborated closely with the Stage Manager, director, and production team to coordinate rehearsals, set changes, and other logistical aspects of the production.

• Played a vital role in the production, overseeing various backstage operations to support the seamless execution of the opera.

• Provided support during rehearsals and performances, including cueing performers, assisting with scene changes, and addressing any last-minute issues or adjustments.

• Handled props backstage, including the management of 10+ pieces of an intricate puppet, which was utilized by the entire cast during key scenes, ensuring their proper placement and availability for scenes as required by the production.

• Collaborated with the creative team to ensure the smooth integration of lighting, costumes, and other technical elements into the production.

• Demonstrated flexibility and adaptability in response to the dynamic and evolving nature of opera productions, contributing to the overall success of Erismena

A new work written by Tim Blake Nelson and directed by Mark Wing-Davey

• Oversaw a cast of 6 actors and an 8-week rehearsal period totaling 100+ hours.

• Coordinated closely with the playwright, director, and production team to ensure the seamless execution of the play's vision during both rehearsals and live performances.

• Conducted daily rehearsals, managed scheduling, call times, and formatting daily rehearsal reports.

• Oversaw script changes, facilitating clear communication between the playwright and the cast, ensuring that alterations were smoothly incorporated into the production.

• Worked closely with the sound designer, playing an integral role in programming the Qlab file, ensuring precise execution of sound cues and seamless integration with the overall production.

• Kept detailed records, including a comprehensive prop list, scene breakdown, and shift plots, facilitating efficient backstage operations and ensuring the accuracy and consistency of each performance.

• Participated hands-on in scene shifts while in costume, demonstrating a hands-on approach to ensure smooth transitions and contributing to the overall efficiency and success of the play.

• Managed intricate backstage logistics, overseeing the transitions between different pieces and ensuring the seamless flow of the concert, crucial in maintaining the energy and rhythm of the jazz orchestra's performance.

• Coordinated with musicians, technical staff, and other production team members to guarantee the proper setup and functionality of equipment, instruments, and stage elements.

• Responded promptly to the dynamic and improvisational nature of jazz performances, showcasing adaptability and quick decision-making skills during rehearsals and live shows.

• Managed the behind-the-scenes details, such as coordinating the movement of performers, ensuring proper equipment setup, and addressing any unforeseen challenges to guarantee a flawless production.

• Collaborated with the Center for Innovation in the Arts in crafting a thematic and immersive backstage environment, aligning with the Joan of Arc inspiration and contributing to the overall ambiance of the concert.

• Responded promptly to the dynamic challenges of a themed concert, showcasing adaptability and problem-solving skills to enhance the backstage experience for performers.

• Collaborated closely with the Stage Manager and production team to ensure the smooth and efficient execution of AXIOM concerts, which focus on the masterworks of the 20th and 21st-century repertoire.

• Managed backstage logistics, coordinating with performers, guest conductors, and production staff to facilitate the flawless flow of each concert.

• Worked closely with AXIOM members, ensuring timely arrivals, proper preparation, and adherence to the event schedule

• Responded promptly to the dynamic and evolving nature of the repertoire, showcasing adaptability and problem-solving skills during rehearsals and performances.

• Successfully contributed to the planning and execution of Juilliard's prestigious Annual Convocation event.

• Played a pivotal role in talent coordination by liaising with performers, artists, and production staff to facilitate smooth communication and address any logistical concerns.

• Responsible for the seamless flow of talent backstage, ensuring timely arrivals, proper preparation, and adherence to the event schedule.

• Collaborated closely with the Stage Manager and other production team members to coordinate rehearsals, set changes, and overall stage logistics.

• Responded promptly to last-minute changes and challenges, demonstrating adaptability and problem-solving skills to maintain the high standards of the event.

Middle Distance written & directed by Dan Hasse, The Language Archive by Julia Cho directed by Katy Early, WIVES by Jaclyn Backhaus directed by Cassidy Kepp

• Orchestrated the construction and management of consumable props.

• Sourced, handled, and maintained taxidermy pieces.

• Coordinated the implementation of smoking devices, including e-cigarettes, to meet artistic requirements while adhering to safety protocols.

• Collaborated closely with directors, designers, and production teams to align prop design with the aesthetic and thematic elements of each play.

• Coordinated prop sourcing, construction, and maintenance, ensuring all props were ready and functional for rehearsals and performances.

• Managed a comprehensive inventory system to keep track of props for each play, facilitating efficient organization and transitions between productions.

By William Shakespeare directed by Ivey Lowe

• Crafted a unique and immersive sound design, incorporating contemporary elements inspired by HBO's Euphoria for scenes set in a current-day sorority party while seamlessly integrating Baroque-inspired music and sounds for scenes set in historical France, creating a distinct auditory atmosphere.

• Collaborated closely with the director, designers, and production team to understand the dual settings and ensure that the sound design enhances the storytelling in both the contemporary and historical contexts.
• Conducted research on Euphoria's auditory aesthetic and Baroque music to inform the design process.

• Utilized digital audio production tools to achieve a seamless integration of modern and historical sound elements.

By Suzan Lori-Parks, Directed by Dennis A. Allen III

• Supervised 100+ hours of rehearsals over 8-week period.

• Oversaw a cast of 10+ actors.

• Coordinated a diverse range of elements including Brechtian/Kurt Weill style songs, a fictional language, fight choreography (including the use of a firearm), intimacy choreography, and nudity.

• Called over 150 cues (lights, sound, projection, fly rail) for each of 5 performances.

• Coordinated cue-to-cue, dress, preshow set up, and intimacy/fight calls​

Tuesday Club Murders by Agatha Christie directed and adapted by Lauren Zeftel, When The Tanks Break by Anne Washburn directed By Florence Lebas, Away Uniform by Tina Satter directed by Ivey Lowe

• Co-sound designed a one-acts festival, collaborating closely with sound designer Charlene Ruscalleda to create compelling and dynamic soundscapes for multiple productions.

• Successfully contributed to the overall vision of each play, ensuring that the auditory elements complemented the unique themes and storytelling approaches.

• Worked closely with directors, producers, and technical teams to understand the artistic vision and technical requirements for each production.

• Utilized in-depth knowledge of sound design principles, acoustics, and digital audio production to achieve high-quality and impactful soundscapes.

Written & directed by Iman Amini & Dylan Dickerson

• Operated the front-of-house (FOH) sound system during rehearsals and live performances, ensuring clear and balanced audio for the audience.

• Executed precise cue sequences, managing levels and dynamics to enhance the overall auditory experience.

• Worked closely with the sound designer, director, and production team to understand the artistic vision and technical requirements of the play.

By Anne Carson & directed by Zachary Tomlinson

• Oversaw cast of 8 actors.

• Supervised 100+ hours of rehearsals over 8-week period. 

• Adeptly managed and enforced COVID protocols and precautions, ensuring a secure and compliant workspace. 

• Called over 100 cues (lights, sound) for each of 4 performances.

• Coordinated cue-to-cue, dress, preshow set up, and fight calls.

By Larissa Fasthorse directed by Jack Dod

• Collaborated with design teams to conceptualize and implement innovative lighting solutions.

• Assisted in creating lighting plots and translating artistic visions into practical designs.

• Conducted pre-show checks and troubleshooting to ensure equipment functionality. 

• Operated an ETC Express console during live performances, executing precise cue sequences.

• Programmed and maintained lighting cues, ensuring seamless transitions.

You Can See All The Stars by E.M. Lewis directed by Franny Vasquez, Lobby Hero by Kenneth Lonergan directed by Zachary Diamond, & Over The Garden Wall based on the show created by Patrick McHale, directed by Muna Muhsin

• Successfully managed multiple productions within the short works festival, overseeing logistics, schedules, and coordination of rehearsals for various performance pieces.

• Worked closely with directors, designers, and production teams to ensure the seamless execution of 5 diverse short works, ranging from one act plays to puppet performances.

• Adeptly managed and enforced COVID protocols and precautions, ensuring a secure and compliant workspace. 

• Oversaw three casts ranging from 3 to 5 cast members.

• Supervised 90 hours of rehearsals over 7-week period.

• Operated the sound board for tech, dress, and all 4 performances

• Called over 100 cues (lights, sound, projection) for each of 4 performances.

• Coordinated cue-to-cue, dress, preshow set up, and fight calls.

By Aaron Posner directed by Steve Hart

• Operated sound board during live performances, executing precise cue sequences.

• Collaborated with directors and sound designers to achieve immersive and dynamic auditory atmospheres.

• Integrated practical sound effects seamlessly into productions, enhancing realism and impact.

• Programmed and managed playback systems, synchronizing practical effects with artistic intent.

• Conducted thorough sound checks and troubleshooting to ensure optimal audio quality.

Devised by Meaghan Cross, Steve Hart, Meghan O'Connor, Andrew Tejada, & Ashley Renee Thaxton Stevenson directed by Steve Hart

• Collaborated closely with playwrights and director in pre-production to understand the evolving narrative and thematic nuances.

• Operated sound boards during live performances, adapting to the dynamic nature of devised theater.

• Executed precise cue sequences to support and enhance the improvisational elements of the production.

By Noelle Viñas directed by Estefanía Fadul

• Assisted in the coordination of virtual rehearsals, ensuring that cast and crew were well-prepared and connected for online sessions.

• Worked closely with the Production Stage Manager to facilitate efficient communication and coordination during virtual rehearsals.

• Provided technical support to performers and production team members, addressing any issues related to virtual platforms, audio, and video settings.

• Operated and maintained live-streamed performances via Vimeo.

Written & directed by Roberta Raymond 

• Orchestrated live soundscapes and projections for a devised political theater production, adapting to the dynamic nature of political narratives.

• Developed and executed intricate cue sequences, seamlessly integrating sound effects and projections to enhance the immersive and politically charged atmosphere.

• Conducted thorough pre-show checks on sound and projection equipment, ensuring optimal functionality and reliability for each performance.